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Contemporaries

Loving Miéville’s Sentences

Joel Burges

What does it mean to love your object of critique, especially when you know better?

ErykahBadu3

Peer Reviewed

“Window Seat”: Erykah Badu, Projective Cultural Politics, and the Obama Era

Emily J. Lordi

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Peer Reviewed

Ang Lee and James Schamus’s Neo-Indies: The Ultimate Movie Machine

Lisa Siraganian

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Contemporaries

Scale and Method: A Reply to Jeremy Rosen

Matthew Wilkens

Curated Space

Post45 The Journal: Curated Space

Multimedia exhibits of new archival work
What we’re looking for and how to submit

Peer Reviewed

  • Ang Lee and James Schamus’s Neo-Indies: The Ultimate Movie Machine
  • “Window Seat”: Erykah Badu, Projective Cultural Politics, and the Obama Era
  • Counterfactual States of America: On Parallel Worlds and Longing for the Law
  • Hiroshima and the Nuclear Event
  • Richard Wright and the Police
  • Archives

Contemporaries

  • Loving Miéville’s Sentences
  • Scale and Method: A Reply to Jeremy Rosen
  • Combining Close and Distant, or, the Utility of Genre Analysis: A Response to Matthew Wilkens’s “Contemporary Fiction by the Numbers”
  • The Dave Show
  • “Not Much Left”: Wageless Life in Millenial Poetry
  • Archives

Curated Space

  • Post45 The Journal: Curated Space
  • Archives

P45

Post45 is a collective of scholars working on American literature and culture since 1945. The group was founded in 2006 and has met annually since to discuss new work in the field.

  • Peer Reviewed
  • Contemporaries
  • Curated Space
  • Resources