Peer Reviewed
Dead Pledges: Debt, Horror, and the Credit Crisis
Annie McClanahan
What is it about the real estate loan that makes all its paths lead to death?
Sam Raimi’s Drag Me to Hell and the horror of the mortgage market.
Contemporaries
“What the ghost wants”: Kevin Young’s Ekphrasis
Stefanie Wortman
Looking at ekphrasis in this way can help us to see it as another in a series of projects to undermine or complicate the centrality of self in the lyric.
Contemporaries
Loving Miéville’s Sentences
Joel Burges
What does it mean to love your object of critique, especially when you know better?
Curated Space
Post45 The Journal: Curated Space
Multimedia exhibits of new archival work
What we’re looking for and how to submit
Peer Reviewed
- Dead Pledges: Debt, Horror, and the Credit Crisis
- Ang Lee and James Schamus’s Neo-Indies: The Ultimate Movie Machine
- “Window Seat”: Erykah Badu, Projective Cultural Politics, and the Obama Era
- Counterfactual States of America: On Parallel Worlds and Longing for the Law
- Hiroshima and the Nuclear Event
- Archives